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The Lost Schematics

Writer's picture: Made EzeMade Eze

Tuesday the 17th of December 2024. You know in my most feeble attempt to effectively try to live an organized and basically uneventful life I've landed myself in a position where at the moment I'm working on some music I'm always working on some music but the problem is is



that when it comes to kind of like release strategy what song to focus on and how to connect from the next song to the next song to the next song I am completely awful at it so to name a


few pieces like I'm working on a song called Ave Maria I'm also working on a song called Advice Me I'm working on a song called Falling Hell I'm working on a song called... some of these songs don't even have any titles but it's getting a little bit annoying having to figure out like the release structure because it's like, you know, everything about me isn't exactly chronological.


Like chronological, the idea of kind of like everything being chronological is sort of like things being linear, things going from point A to point B. But you know, this isn't to say that I'm a multi-dimensional artist or whatever it is, but I feel like the law and you know, the kind of like the blueprint behind,


I guess, not my ethos, but you know, the whole philosophy of my career as an artist, effectively means that things are very non-linear. So like the story is being told almost in the same way as the story in the multiverse is told, minus the kind of like the complexities and just the weird aspects of it and the unsuccessful aspects of the multiverse that effectively don't really make a lot of sense. But effectively, like chronologically,


like the story and the narrative that I'm effectively trying to market, because of how it is, it makes it very difficult for me to judge what project to effectively release next. So I feel like with all of that being said, I'm gonna call the title of today's reflections,


The Lost Schematics. And yeah, like until I get more time to move on, to talk further on this subject.

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